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Old 11-29-2007, 08:59 PM   #21 (permalink)
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Scarface.

Say hello to my little headbanging friend...
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Old 11-29-2007, 09:11 PM   #22 (permalink)
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Juno,
An American Crime
The Mist
I'm Not There (Avoid this film at all costs. Not only is Bob Dylan a total rockstar prick, this is one of the most self indilgent pieces of schlock I've seen since Matthew Barney's newest
Restraint film

Go see Juno for the amazing Ellen Page, and Michael Cera. An American Crime for a chilling and brave Roles from Katherine Keener and Ellen Page, and the Mist for one of the most subversive horror films ever made. I'll be going to SXSW in march, and I'll post reviews about all the films I get to see..
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Old 12-02-2007, 08:07 AM   #23 (permalink)
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i checked out "the mist" last night. it had been so long since i had read the short story i had forgotten a lot of it, making it semi-new. it was well worth seeing, to me.
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Old 12-02-2007, 10:41 AM   #24 (permalink)
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The Namesake


SYNOPSIS


Like her previous films VANITY FAIR, MONSOON WEDDING, and HBO’s HYSTERICAL BLINDNESS, Mira Nair’s THE NAMESAKE is a lush, beautiful film bursting with rich color and visual texture. Based on the bestselling book by Jhumpa Lahiri, the film follows two generations of the Ganguli family. After wedding via an arranged marriage, Ashima (Tabu) moves with Ashoke (Irrfan Khan) from her native Calcutta to New York. As Ashima struggles to adjust to life in her new home, a true love grows between the newlyweds. When they give birth to Gogol (who does not learn the true origin of his name until adulthood), the Gangolis decide to stay in American for their child’s sake, settling in the suburbs and eventually giving birth to a daughter, Sonia (Sahira Nair). While Ashima and Ashoke attempt to balance their new life with Indian traditions, their children have the very different experience of being raised first-generation Americans. With little interest in their ancestry, both Gogol and Sonia disappoint their parents by having little respect for the sacrifices their parents made for them. Gogol’s desire to change his name, and his relationship with a wealthy American girl (Jacinda Barrett), places a strain on the family which Gogol will later regret.

Here, Penn proves he can play a serious role while still using his comedic skills to great affect. The actor shows impressive range in growing a clueless teen to a man his father would be proud of. Nair’s skill at directing can be felt in the film’s many great performances. Both Tabu and Irrfan Khan embody their characters so fully that the viewer really feels a personal connection to the story. As the head of the household, Khan's character will subtly make viewers laugh while breaking their heart. Packed with unique characters, THE NAMESAKE offers audiences an outlet into Bengali traditions and the immigrant experience while telling a universal story of family bonds which all parents and children should connect with. Nair excels in what is her most personal work to date.

http://www.rottentomatoes.com/m/namesake/about.php
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Old 12-02-2007, 01:14 PM   #25 (permalink)
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"Dan in Real Life" (Steve Carell's newest).

It's okay. Defnitely a rental, very sappy love story that
mostly just the ladies would like....unless you're a guy who is into
sappy love stories. Not that there's anything wrong
with that.
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Old 12-02-2007, 03:48 PM   #26 (permalink)
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Quote:
Originally Posted by chambers92 View Post
The Namesake


SYNOPSIS


Like her previous films VANITY FAIR, MONSOON WEDDING, and HBO’s HYSTERICAL BLINDNESS, Mira Nair’s THE NAMESAKE is a lush, beautiful film bursting with rich color and visual texture. Based on the bestselling book by Jhumpa Lahiri, the film follows two generations of the Ganguli family. After wedding via an arranged marriage, Ashima (Tabu) moves with Ashoke (Irrfan Khan) from her native Calcutta to New York. As Ashima struggles to adjust to life in her new home, a true love grows between the newlyweds. When they give birth to Gogol (who does not learn the true origin of his name until adulthood), the Gangolis decide to stay in American for their child’s sake, settling in the suburbs and eventually giving birth to a daughter, Sonia (Sahira Nair). While Ashima and Ashoke attempt to balance their new life with Indian traditions, their children have the very different experience of being raised first-generation Americans. With little interest in their ancestry, both Gogol and Sonia disappoint their parents by having little respect for the sacrifices their parents made for them. Gogol’s desire to change his name, and his relationship with a wealthy American girl (Jacinda Barrett), places a strain on the family which Gogol will later regret.

Here, Penn proves he can play a serious role while still using his comedic skills to great affect. The actor shows impressive range in growing a clueless teen to a man his father would be proud of. Nair’s skill at directing can be felt in the film’s many great performances. Both Tabu and Irrfan Khan embody their characters so fully that the viewer really feels a personal connection to the story. As the head of the household, Khan's character will subtly make viewers laugh while breaking their heart. Packed with unique characters, THE NAMESAKE offers audiences an outlet into Bengali traditions and the immigrant experience while telling a universal story of family bonds which all parents and children should connect with. Nair excels in what is her most personal work to date.

http://www.rottentomatoes.com/m/namesake/about.php

I agree. I haven't seen the entire movie yet (just got the DVD), but so far it seems true to Lahiri's novel. Even though she has yet to publish much, Jhumpa Lahiri is one of my favorite writers (her Interpreter of Maladies short story collection is brilliant) and it is wonderful to see her first novel brought to the screen (even if it's a 32" one, LOL) with such style, talent, and care.

Just an FYI, but Lahiri will have another short story colelction, Unaccustomed Earth, published on April 1, 2008.
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Old 12-02-2007, 04:00 PM   #27 (permalink)
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Quote:
Originally Posted by chambers92 View Post
The Namesake


SYNOPSIS


Like her previous films VANITY FAIR, MONSOON WEDDING, and HBO’s HYSTERICAL BLINDNESS, Mira Nair’s THE NAMESAKE is a lush, beautiful film bursting with rich color and visual texture. Based on the bestselling book by Jhumpa Lahiri, the film follows two generations of the Ganguli family. After wedding via an arranged marriage, Ashima (Tabu) moves with Ashoke (Irrfan Khan) from her native Calcutta to New York. As Ashima struggles to adjust to life in her new home, a true love grows between the newlyweds. When they give birth to Gogol (who does not learn the true origin of his name until adulthood), the Gangolis decide to stay in American for their child’s sake, settling in the suburbs and eventually giving birth to a daughter, Sonia (Sahira Nair). While Ashima and Ashoke attempt to balance their new life with Indian traditions, their children have the very different experience of being raised first-generation Americans. With little interest in their ancestry, both Gogol and Sonia disappoint their parents by having little respect for the sacrifices their parents made for them. Gogol’s desire to change his name, and his relationship with a wealthy American girl (Jacinda Barrett), places a strain on the family which Gogol will later regret.

Here, Penn proves he can play a serious role while still using his comedic skills to great affect. The actor shows impressive range in growing a clueless teen to a man his father would be proud of. Nair’s skill at directing can be felt in the film’s many great performances. Both Tabu and Irrfan Khan embody their characters so fully that the viewer really feels a personal connection to the story. As the head of the household, Khan's character will subtly make viewers laugh while breaking their heart. Packed with unique characters, THE NAMESAKE offers audiences an outlet into Bengali traditions and the immigrant experience while telling a universal story of family bonds which all parents and children should connect with. Nair excels in what is her most personal work to date.

http://www.rottentomatoes.com/m/namesake/about.php

That sounds really good - just my kind of movie. Can't wait to see it. Thanks for the recommendations.
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Old 12-02-2007, 05:13 PM   #28 (permalink)
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Quote:
Originally Posted by Mike D. View Post
I agree. I haven't seen the entire movie yet (just got the DVD), but so far it seems true to Lahiri's novel. Even though she has yet to publish much, Jhumpa Lahiri is one of my favorite writers (her Interpreter of Maladies short story collection is brilliant) and it is wonderful to see her first novel brought to the screen (even if it's a 32" one, LOL) with such style, talent, and care.

Just an FYI, but Lahiri will have another short story colelction, Unaccustomed Earth, published on April 1, 2008.
Thanks, I'll check out her books as well.
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Old 12-02-2007, 05:19 PM   #29 (permalink)
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Originally Posted by Teri B. View Post
That sounds really good - just my kind of movie. Can't wait to see it. Thanks for the recommendations.
Definitely see this one Teri. It was a little slow at times but it was also very moving and a nice look into Indian culture.

Last edited by chambers92; 12-02-2007 at 05:22 PM.
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Old 12-02-2007, 11:29 PM   #30 (permalink)
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If you like stupid movies try Hot Rod with Andy Samberg from SNL. He's a wannabe stunt man who hates his stepfather. It is so stupid you'll be embarrassed to laugh but you will.
Hint: He's the most inept stunt man ever.
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